Title:

Seven Nations - And Now It's Come To This download free

Performer:

Seven Nations

Album:

And Now It's Come To This

Released:

2002

Genre:

Rock / Pop / Country Folk

Style:

Indie Pop, Celtic

MP3 archive size:

1244 mb

FLAC archive size:

1125 mb

WMA archive size:

1862 mb

Other formats:

MOD DMF XM ADX MIDI VQF MMF

Rating:

4.6

Votes:

378

Seven Nations Indie Pop Celtic 2002

Download links

Seven Nations - And Now It's Come To This
MP3 album RAR archive

1125 downloads at 24 mb/s

Seven Nations - And Now It's Come To This
FLAC album RAR archive

1862 downloads at 25 mb/s

Tracklist

1	You'd Be Mine
2	Wonderful
3	The Big Yellow Bus
4	Leave It
5	Waiting For Midnight
6	Very Nice
7	My Little Lady
8	Sweet Liberty
9	Up To Me
10	Asleep For Days
11	Jump_START (Peace)
12	Last Call

Companies, etc.

Recorded At – Sonora Recorders
Recorded At – House Of Blues, Los Angeles
Mixed At – MCJ Studio
Mastered At – Marcussen Mastering

Credits

Bass Guitar – Struby
Drums – Crisco*
Engineer [Assistant] – Chad Travis, Kevin Meeker
Executive Producer – Doreen Sullivan
Fiddle – Dan Stacey
Highland Pipes, Chanter – Scott Long
Mastered By – Stephen Marcussen
Percussion – Jiro Yamaguchi (tracks: 8, 11)
Piano – Dan Stacey (tracks: 11)
Recorded By, Mixed By – Robert Carranza
Vocals, Acoustic Guitar, Electric Guitar, Piano, Organ [Hammond B-3] – Kirk McLeod
Written-By – Crisco* (tracks: 12), Dan Stacey (tracks: 11, 12), Dan Stacey (tracks: 11, 12), Kirk McLeod (tracks: 1-10, 12), Scott Long (tracks: 12), Struby (tracks: 12)

Heraly

I actually purchased this in a Kmart. That’s right— Kmart. In their long-gone music department. In the Pop/Rock section. That should have told me something right there. You never would have found uncompromising Celtic rock like Big Dog or even The Factory in such a mass retail environment. And sure-enough, what I heard was pretty much another Lifehouse or Nickelback clone— like we needed another one of those at the time. I listened to this maybe twice and promptly sold it. What I recall was that if there were bagpipes or violin, it was used sparingly and set back far into the mix, and the musical structure bore only token resemblance to Celtic music. I wonder if the title was a Freudian slip? It certainly reflected the disappointment I felt on hearing this album.

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