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» » Alquimia - "Coatlicue" Goddess Of The Earth
Alquimia - "Coatlicue" Goddess Of The Earth download free
Title:

Alquimia - "Coatlicue" Goddess Of The Earth download free

Performer:
Alquimia
Album:
"Coatlicue" Goddess Of The Earth
Released:
1992
Genre:
Electronic
Style:
Experimental, Ambient
MP3 archive size:
1448 mb
FLAC archive size:
1447 mb
WMA archive size:
1836 mb
Other formats:
MP1 AC3 RA AAC MP3 FLAC XM
Rating:
4.4
Votes:
223
Alquimia Experimental Ambient 1992

Tracklist Hide Credits

Coatlicue Diosa De La Tierra
1 Coatepec 2:39
2 Tlilan 1:49
3 Coatlicue 3:11
4 Festividades 2:56
5 Danza De Xilonem 4:27
6 La Dualidad De La Diosa 3:10
7 Procesion 2:45
8 Ofrenda 3:49
9 Sacrificio 5:53
10 Walkyrias 5:55
11 Alkaest
Guitar – Guillermo Suarez
 4:20
12 Avatar
Percussion – Arturo RomoVoice – José Alvarez*
 4:09
13 Aura
Guitar – Guillermo Suarez
 3:35
14 Inquisición
Guitar, Bass – Guillermo SuarezPercussion [Trombatrón] – Arturo RomoVoice – José Alvarez*
 3:28

Companies, etc.

  • Copyright (c) – Alquimia
  • Pressed By – DADC – DIDX-011990
  • Recorded At – Studio 27, Mexico City
  • Mixed At – Studio 27, Mexico City

Credits

  • Producer [Produced By] – Alquimia, Musica Onirica
  • Voice, Piano, Synthesizer [Synthesizers], Sampler [Samplers], Percussion, Flute [Flutes], Effects [Acoustic And Electronic Effects], Arranged By [Arrangements Of These Instruments], Composed By [Composition Of All The Themes], Written-By, Recorded By, Mixed By – Alquimia

Notes

© Alquimia 1990, 1991
Reserved copyrights © 1992.

Barcode and Other Identifiers

  • Barcode (Text): 5 021958 450025
  • Barcode (String): 5021958450025
  • Matrix / Runout (Mirrored): DIDX-011990 2


  • ...a most fascinating concoction of musics. Playing the majority of the instruments herself, she proves to be as adept at combining pre-Hispanic music with electronics, as creating massed gothic choirs, or even setting medieval musics in a highly electronic futuristic context. She aims to dazzle, entrance, relax, and excite, and does so on all counts! From my review in Audion #22, published in July 1992

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